On the occasion of the 40th anniversary of the Ifp and its Film Week, filmmaker Maxi Cohen contributes the following guest essay on that moment of inception. — Editor Sandra Schulberg and I were in the train station after the 1978 Rotterdam Film Festival. I had presented Joe and Maxi, a film about my relationship with my father1, and Sandra had presented two movies produced for the PBS Visions series, The Gardener’s Son by Richard Pearce and Over-Under-Sideways-Down by the Cine Manifest collective. Marc Weiss had helped to arrange U.S. Indie Films in Rotterdam which they dubbed “Hollywood without Make-Up.” […]...
- 9/18/2018
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
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