Twenty-five years ago, audiences were captivated by a most arresting and original spin on a TV staple — the police drama. Steven Bochco, who was already well-known as one of television’s chief innovators and reinventors thanks to high-quality series like “Paris,” “L.A. Law” and “Doogie Howser, M.D.”, co-created “NYPD Blue.” This was his second reinvention of the genre (he was also responsible for “Hill Street Blues”), but in teaming up with David Milch the envelope was pushed even farther.
Not only would “NYPD Blue” pioneer a grittier, more frenetic storytelling style with the use of regularly jerky and very verite handheld camera, it would challenge long-established broadcast network limits regarding violence, nudity and four-letter words. Of course, the road for such a disruptive new approach would not be an easy one, with high drama playing out both among the opposition to the game-changing series and within its own ranks before...
Not only would “NYPD Blue” pioneer a grittier, more frenetic storytelling style with the use of regularly jerky and very verite handheld camera, it would challenge long-established broadcast network limits regarding violence, nudity and four-letter words. Of course, the road for such a disruptive new approach would not be an easy one, with high drama playing out both among the opposition to the game-changing series and within its own ranks before...
- 9/18/2018
- by Scott Huver
- Variety Film + TV
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