As fly-on-the-wall rock-doc experiences go, there are few more thrilling than the first 10 minutes of Jean-Luc Godard’s 1968 film Sympathy for the Devil.
After the opening credits silently roll, we’re immediately transported to London’s Olympic Studios in the June of 1968, where the Rolling Stones are recording what will become Beggar’s Banquet. The band is in peak Byronic-dandy form, sporting an impressive array of colorful trousers and footwear (Bill Wyman’s hot pink boots take first prize), but it quickly becomes clear that these gentlemen aren’t merely flouncing around in their finery.
After the opening credits silently roll, we’re immediately transported to London’s Olympic Studios in the June of 1968, where the Rolling Stones are recording what will become Beggar’s Banquet. The band is in peak Byronic-dandy form, sporting an impressive array of colorful trousers and footwear (Bill Wyman’s hot pink boots take first prize), but it quickly becomes clear that these gentlemen aren’t merely flouncing around in their finery.
- 10/5/2018
- by Dan Epstein
- Rollingstone.com
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