In “Mandy,” Nicolas Cage goes on a wild-eyed quest for revenge, but the movie’s plot comes secondary to the experience of watching it. Director Panos Cosmatos’ follow-up to his similarly atmospheric “Beyond the Black Rainbow” is a heavy metal tone poem, replete with leather jackets, shadowy landscapes, and unfiltered bursts of rage. Much of its expressionistic power comes from an undercurrent of music that envelops nearly every moment, evoking dread and wonder in equal doses.
The “Mandy” score is one of the best of the year, a fierce emotional arrangement of mournful synth and somber guitars, interspersed with jarring eruptions of percussion — all of which demonstrate the complex vision of Icelandic composer Jóhann Jóhannsson, who died in February at the age of 48, shortly after “Mandy” premiered at Sundance.
Now, as “Mandy” has catapulted beyond its initial day-and-date release to become a genuine cult phenomenon, its creators have been campaigning...
The “Mandy” score is one of the best of the year, a fierce emotional arrangement of mournful synth and somber guitars, interspersed with jarring eruptions of percussion — all of which demonstrate the complex vision of Icelandic composer Jóhann Jóhannsson, who died in February at the age of 48, shortly after “Mandy” premiered at Sundance.
Now, as “Mandy” has catapulted beyond its initial day-and-date release to become a genuine cult phenomenon, its creators have been campaigning...
- 11/7/2018
- by Eric Kohn
- Indiewire
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