What boldly separates “First Man” from all other space movies was Damien Chazelle’s decision to make Nasa’s mission to the moon the personal story of a grieving Neil Armstrong (Ryan Gosling).
Part documentary, part domestic drama — shot by Oscar-winning cinematographer Linus Sandgren (“La La Land”) on Kodak 16mm and 35mm and IMAX– the adventure thrusts Armstrong out of this world to say goodbye to his departed young daughter.
And Chazelle tasked his go-to editor Tom Cross (Oscar winner for “Whiplash” and a nominee for “La La Land”) with balancing both the meta and micro elements of the movie (scripted by “Spotlight Oscar winner Josh Singer).
“Damien and Ryan Gosling always talked about how this movie was about the moon and the kitchen,” Cross said. “It’s not only how painful and risky these missions were for the astronauts, but how painful they were for the families. It was...
Part documentary, part domestic drama — shot by Oscar-winning cinematographer Linus Sandgren (“La La Land”) on Kodak 16mm and 35mm and IMAX– the adventure thrusts Armstrong out of this world to say goodbye to his departed young daughter.
And Chazelle tasked his go-to editor Tom Cross (Oscar winner for “Whiplash” and a nominee for “La La Land”) with balancing both the meta and micro elements of the movie (scripted by “Spotlight Oscar winner Josh Singer).
“Damien and Ryan Gosling always talked about how this movie was about the moon and the kitchen,” Cross said. “It’s not only how painful and risky these missions were for the astronauts, but how painful they were for the families. It was...
- 1/4/2019
- by Bill Desowitz
- Indiewire
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