The cinema of Iran has often been marked by stylistic qualities of delicacy and restraint. It has found ways to speak loudly with a whisper. But “Sheeple,” the traumatically explosive closing-night selection of 1st Iranian Film Festival New York, amounts to a rather spectacular counterexample. It’s a drama set in the lower depths of society — it follows a bedraggled family of drug dealers in the south of Tehran — and it’s a violent, charged-up, attack-the-block movie that comes at you with a feverish spirit of underworld degradation that’s startling to behold.
The characters are scurrilous desperadoes and derelicts (you might have to reach back to “Pixote” to find a street drama this purged of romance), and they have a way of stepping on each other’s words that has you racing to read the subtitles. Yet there’s a larger vision at work here — an image of appetite...
The characters are scurrilous desperadoes and derelicts (you might have to reach back to “Pixote” to find a street drama this purged of romance), and they have a way of stepping on each other’s words that has you racing to read the subtitles. Yet there’s a larger vision at work here — an image of appetite...
- 1/15/2019
- by Owen Gleiberman
- Variety Film + TV
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