‘Storm Boy’ (Photo: Matt Nettheim).
Shawn Seet’s Coorong-set re-imagining of Henri Safran’s 1976 classic Storm Boy drew families and older folks last weekend, resonating particularly strongly in South Australia, as takings overall were flattened by the heatwave.
M. Night Shyamalan’s horror movie Glass was the top title, albeit opening below its Us trajectory. Josie O’Rourke’s period drama Mary, Queen of Scots had a respectable debut while Joe Cornish’s action-fantasy The Kid Who Would be King tanked.
Paolo Sorrentino’s Loro, a biopic on Italy’s scandal-plagued former Prime Minister Silvio Berlusconi, fared Ok on limited release after earning tidy sums at festivals.
The top 20 titles collectively harvested $19 million, down 7 per cent on the previous weekend according to Numero.
The sequel to Split and follow-up to 2000’s Unbreakable, Glass yielded $3.3 million on 421 screens for Disney. Pro-rata, that trailed the estimated $40.5 million Us debut for the film...
Shawn Seet’s Coorong-set re-imagining of Henri Safran’s 1976 classic Storm Boy drew families and older folks last weekend, resonating particularly strongly in South Australia, as takings overall were flattened by the heatwave.
M. Night Shyamalan’s horror movie Glass was the top title, albeit opening below its Us trajectory. Josie O’Rourke’s period drama Mary, Queen of Scots had a respectable debut while Joe Cornish’s action-fantasy The Kid Who Would be King tanked.
Paolo Sorrentino’s Loro, a biopic on Italy’s scandal-plagued former Prime Minister Silvio Berlusconi, fared Ok on limited release after earning tidy sums at festivals.
The top 20 titles collectively harvested $19 million, down 7 per cent on the previous weekend according to Numero.
The sequel to Split and follow-up to 2000’s Unbreakable, Glass yielded $3.3 million on 421 screens for Disney. Pro-rata, that trailed the estimated $40.5 million Us debut for the film...
- 1/21/2019
- by The IF Team
- IF.com.au
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