I believe animals in film bring a sense of reality to the scene. They make us more conscious about the actions and decisions of our heroes.
There’s a beautiful scene in “Panic in Needle Park,” when Al Pacino and Kitty Winn play addicts who shoot heroin on a ferry and the puppy they just adopted appears to fall off the boat and drown. It’s tragic, and by looking at the innocent animal they just hurt, the characters finally realize the consequences of their actions. I think we all have a natural affinity to animals, so it can play on that deep emotional connection.
Animals are unpredictable and sometimes impossible to direct, but if you learn to be flexible, an animal can help make a scene feel more authentic and compelling for the audience. That’s the experience I had directing a chicken on the set of my new indie drama “Mobile Homes.
There’s a beautiful scene in “Panic in Needle Park,” when Al Pacino and Kitty Winn play addicts who shoot heroin on a ferry and the puppy they just adopted appears to fall off the boat and drown. It’s tragic, and by looking at the innocent animal they just hurt, the characters finally realize the consequences of their actions. I think we all have a natural affinity to animals, so it can play on that deep emotional connection.
Animals are unpredictable and sometimes impossible to direct, but if you learn to be flexible, an animal can help make a scene feel more authentic and compelling for the audience. That’s the experience I had directing a chicken on the set of my new indie drama “Mobile Homes.
- 1/22/2019
- by Vladimir de Fontenay
- The Wrap
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