The female characters are the least interesting thing in the original version of “After the Wedding,” an otherwise exceptional, Oscar-nominated Danish drama from “Bird Box” director Susanne Bier. Fortunately, that’s not at all true of a sharp new English-language remake that gender-flips the two lead roles to be played by women, providing an incredibly rich showcase for the immense talents of Julianne Moore (who goes big) and Michelle Williams (understated and devastating) in the process.
So often it happens that American producers fall in love with a perfectly strong foreign film, snapping up the remake rights, only to water it down for domestic consumption. That’s not the case here, as all involved have endeavored to maintain, if not strengthen, a grown-up scenario that respects the audience’s intelligence, even as it rather shamelessly hikes the emotional stakes with nearly every scene once the momentum gets going. After a point,...
So often it happens that American producers fall in love with a perfectly strong foreign film, snapping up the remake rights, only to water it down for domestic consumption. That’s not the case here, as all involved have endeavored to maintain, if not strengthen, a grown-up scenario that respects the audience’s intelligence, even as it rather shamelessly hikes the emotional stakes with nearly every scene once the momentum gets going. After a point,...
- 1/25/2019
- by Peter Debruge
- Variety Film + TV
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