The first word that comes to mind when thinking about the thematically complex yet always accessible fiction films from Brazilian filmmaker Gabriel Mascaro is “sensual.” His previous two features, August Winds (2014) and Neon Bull (2015), luxuriated in flesh-on-flesh couplings in ways that suggested the love scene is still far from a tired old cinematic trope — as long as you manage to suggest that the physical act comes from a place of desire that feels at once overwhelming and the most natural thing in the world.
Fast forward to 2019, or rather 2027, the year ...
Fast forward to 2019, or rather 2027, the year ...
- 1/27/2019
- The Hollywood Reporter - Film + TV
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