There’s a long-standing Hollywood tradition of comic characters who are patently disreputable anti-social f—ups. It’s the comedy as rock ‘n’ roll school of bad behavior, and its exemplars are legend: John Belushi turning wreckage into blissed-out anarchy in “National Lampoon’s Animal House,” Bill Murray and his jabbering slob irony in everything from “Meatballs” to “St. Vincent,” Will Ferrell’s destructive moronic narcissists, Jim Carrey’s media-wired lunatics, the revenge-of-the nerd horndog teen partiers of “Superbad.”
So when you first see Pete Davidson in “Big Time Adolescence,” where he plays a druggie wastrel loser who, from his look to his attitude, is very Pete Davidson, you naturally assume that he’s one of those characters: an outrageous homeboy douche we’re going to be laughing with, rather than at.
He is, maybe slightly. Yet the movie isn’t actually that kind of comedy. Davidson plays Zeke, who...
So when you first see Pete Davidson in “Big Time Adolescence,” where he plays a druggie wastrel loser who, from his look to his attitude, is very Pete Davidson, you naturally assume that he’s one of those characters: an outrageous homeboy douche we’re going to be laughing with, rather than at.
He is, maybe slightly. Yet the movie isn’t actually that kind of comedy. Davidson plays Zeke, who...
- 1/29/2019
- by Owen Gleiberman
- Variety Film + TV
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