By John M. Whalen
John Payne was one of those “meat and potatoes” kind of actors. Nothing fancy. No complicated method acting style. He just gave good, solid, straight off-the-page performances in dozens of films and television shows over a span of nearly 40 years. I think of him primarily as the guy trapped and fighting for survival in old black and white film noirs of the 1950s-- films like “Kansas City Confidential,” “99 River Street,” and perhaps one of the best noirs ever—“The Crooked Way.”
He made a number of interesting westerns however, including “El Paso” (1949), the first of a several he made for the Pine-Thomas Productions B-movie unit of Paramount. It was notable for the fact that it was the first Pine-Thomas movie to have a decent budget-- $1 million. It was filmed partly in El Paso, but mostly on the Iverson Ranch, which, film historian Toby Roan explains in the audio commentary,...
John Payne was one of those “meat and potatoes” kind of actors. Nothing fancy. No complicated method acting style. He just gave good, solid, straight off-the-page performances in dozens of films and television shows over a span of nearly 40 years. I think of him primarily as the guy trapped and fighting for survival in old black and white film noirs of the 1950s-- films like “Kansas City Confidential,” “99 River Street,” and perhaps one of the best noirs ever—“The Crooked Way.”
He made a number of interesting westerns however, including “El Paso” (1949), the first of a several he made for the Pine-Thomas Productions B-movie unit of Paramount. It was notable for the fact that it was the first Pine-Thomas movie to have a decent budget-- $1 million. It was filmed partly in El Paso, but mostly on the Iverson Ranch, which, film historian Toby Roan explains in the audio commentary,...
- 3/6/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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