Ingrid García Jonsson in Ana De Día
Ana De Día (Ana By Day), showing as part of this year's Viva! Spanish and Latin American Film Festival, begins with one of those experiences that are vanishingly rare in real life but quite common in cinema: a woman discovering that she has a double. Then it does something quite different from other stories of its ilk, focusing on what its heroine goes on to do with her life. When director Andrea Jaurrieta agreed to talk about the film, I began by asking her if she felt that it was important to set aside concerns about why the double existed so that she could concentrate on less-explored themes about identity.
Andrea Jaurrieta on the set of Ana De Día
"Yes," she says. "The question about the double is just like a 'trigger' for the story. In fact there's kind of an ambiguity about this double: does she exist?...
Ana De Día (Ana By Day), showing as part of this year's Viva! Spanish and Latin American Film Festival, begins with one of those experiences that are vanishingly rare in real life but quite common in cinema: a woman discovering that she has a double. Then it does something quite different from other stories of its ilk, focusing on what its heroine goes on to do with her life. When director Andrea Jaurrieta agreed to talk about the film, I began by asking her if she felt that it was important to set aside concerns about why the double existed so that she could concentrate on less-explored themes about identity.
Andrea Jaurrieta on the set of Ana De Día
"Yes," she says. "The question about the double is just like a 'trigger' for the story. In fact there's kind of an ambiguity about this double: does she exist?...
- 3/23/2019
- by Jennie Kermode
- eyeforfilm.co.uk
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