Cannes — “I like your style, Stine. Straight forward. You open your interviews like a man,” Walter Gropius (August Diehl) ironizes, when at the beginning of “Bauhaus -a New Era,” a feminist interviewer, in 1963 Massachusetts, asks him the first director of Wiemar Germany’s Bauhaus art school, a member of the avant garde, the most influential architect of his generation, how he could live with the lie that women and men were treated equally at Bauhaus.
The same could be said of German director Lars Kraume, whose most famous film to date, “The People vs. Fritz Bauer,” lists preeminent Germans and companies which opposed the attempts of Bauer, a state attorney general, to bringing the crazies of Auschwitz to trail.
“Bauhaus” recounts the launch of the legendary art school, which changed the history of modern art. But it does so from the point of view not of Gropius, its icon and first director,...
The same could be said of German director Lars Kraume, whose most famous film to date, “The People vs. Fritz Bauer,” lists preeminent Germans and companies which opposed the attempts of Bauer, a state attorney general, to bringing the crazies of Auschwitz to trail.
“Bauhaus” recounts the launch of the legendary art school, which changed the history of modern art. But it does so from the point of view not of Gropius, its icon and first director,...
- 4/7/2019
- by John Hopewell
- Variety Film + TV
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