“Teenkahon” is one of the smartest and most sophisticated Bengali films of recent times. This sophistication lies in the story-telling approach which is rare in Bengali films. The three stories of love of different kinds – Nabalok, Post Mortem and Telephone, set in three different periods are brilliantly handled by the director Bauddhayan Mukherji, who paces the movie in such a timely way that it gives the feeling of a single story with three different phases of love in life where the climax reaches and unfolds in an unexpected way in the last story, which is scripted brilliantly by the director himself.
The movie deals with the difficult subject of extramarital affair which starts through the adolescence of “Nabalok” – the protagonist of the first story. The lovely visuals exploit the narration beautiful and kick start the amazing journey of Teenkahon. The second story “Post Mortem” deals with the...
The movie deals with the difficult subject of extramarital affair which starts through the adolescence of “Nabalok” – the protagonist of the first story. The lovely visuals exploit the narration beautiful and kick start the amazing journey of Teenkahon. The second story “Post Mortem” deals with the...
- 4/20/2019
- by Sankha Ray
- AsianMoviePulse
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