With more international co-productions in cinemas than ever before and a new crop of high-profile titles this year, Germany’s renown as fertile ground for foreign filmmakers continues to soar.
The number of German-backed cross-border titles in local theaters rose 30% last year to 98 — the most ever — and the trend looks set to continue. This year a slew of German co-productions are vying for Cannes’ Palme d’Or, among them Terrence Malick’s historical drama “A Hidden Life”; Jessica Hausner’s sci-fi thriller “Little Joe”; Marco Bellocchio’s mafia pic “The Traitor”; Corneliu Porumboiu’s “The Whistlers”; and Elia Suleiman’s “It Must Be Heaven.”
Key to the country’s filmmaking allure is a generous system of federal and regional funding sources and a dynamic film industry geared toward international co-production.
Leading companies include Pallas Films, whose credits include “It Must Be Heaven” and Sergey Dvortsevoy’s “Ayka”; Pandora Film, co-producer...
The number of German-backed cross-border titles in local theaters rose 30% last year to 98 — the most ever — and the trend looks set to continue. This year a slew of German co-productions are vying for Cannes’ Palme d’Or, among them Terrence Malick’s historical drama “A Hidden Life”; Jessica Hausner’s sci-fi thriller “Little Joe”; Marco Bellocchio’s mafia pic “The Traitor”; Corneliu Porumboiu’s “The Whistlers”; and Elia Suleiman’s “It Must Be Heaven.”
Key to the country’s filmmaking allure is a generous system of federal and regional funding sources and a dynamic film industry geared toward international co-production.
Leading companies include Pallas Films, whose credits include “It Must Be Heaven” and Sergey Dvortsevoy’s “Ayka”; Pandora Film, co-producer...
- 5/14/2019
- by Ed Meza
- Variety Film + TV
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