As a filmmaker, Ira Sachs, the director of “Love Is Strange,” “Little Men,” and (his masterpiece) “Keep the Lights On,” is like a flower that keeps sprouting new tendrils, growing ever more beautiful and complicated and delicate. His new movie, “Frankie,” may the closest that anyone has come to making an American version of an Eric Rohmer film. I say that having long compared Richard Linklater’s “Before Sunrise” and its sequels to Rohmer (and make no mistake: all three of the “Before” films are marvelous). But “Frankie,” even more exactingly, re-creates the deceptively casual and meandering but pinpoint Rohmeresque sensation of a small handful of characters wandering around, not doing much of anything but revealing, through conversation and (occasionally) through action, who they are and how, almost imperceptibly, over the course of one movie, they might change.
“Frankie” is a film made with immaculate craftsmanship (and one non-Rohmer element:...
“Frankie” is a film made with immaculate craftsmanship (and one non-Rohmer element:...
- 5/20/2019
- by Owen Gleiberman
- Variety Film + TV
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