Many filmmakers try to find new ways to tell a story, but few get the chance offered by “Black Mirror: Bandersnatch.” Late last year, this installment of the Netflix anthology presented viewers a chance to control the narrative about a mid-1980s computer programmer hitting the limits of reality while working on an innovative new game.
While Netflix opted to prompt viewers with simple keyword captions on the screen’s lower third, director David Slade said his initial idea was a little more abstract.
“I remember at the very beginning trying to sell Charlie [Brooker] on a version with no text at all,” Slade said at a Q&A after a screening at a Netflix FYSee screening in Hollywood May 31. “The ‘David Lynch’ version, where you’ll get to a point in the narrative and see a series of images and if you click during one of those images, it’ll take you somewhere else.
While Netflix opted to prompt viewers with simple keyword captions on the screen’s lower third, director David Slade said his initial idea was a little more abstract.
“I remember at the very beginning trying to sell Charlie [Brooker] on a version with no text at all,” Slade said at a Q&A after a screening at a Netflix FYSee screening in Hollywood May 31. “The ‘David Lynch’ version, where you’ll get to a point in the narrative and see a series of images and if you click during one of those images, it’ll take you somewhere else.
- 6/1/2019
- by Steve Greene
- Indiewire
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