In a country that should probably think about renaming itself the American Entertainment State, fan culture now produces an obsessive level of pop scholasticism, one that can parse the rules and details of movies and TV shows as if they were fine points of law. In a review of a horror movie, I once called a character a zombie who was not, technically, a zombie (he didn’t have the precise credentials to be classified as the living dead), and tons of readers called me out on it. I learned my lesson, even though a stubborn part of me still thinks, “If it walks like a zombie, and talks like a zombie…”
There’s a comparable bit of pesky Talmudic niggling woven into the premise of the “Annabelle” films, of which “Annabelle Comes Home” is the third, and maybe the most hyper and generic. Annabelle is one of those creepy...
There’s a comparable bit of pesky Talmudic niggling woven into the premise of the “Annabelle” films, of which “Annabelle Comes Home” is the third, and maybe the most hyper and generic. Annabelle is one of those creepy...
- 6/24/2019
- by Owen Gleiberman
- Variety Film + TV
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