Peter Parker faces life after “Avengers: Endgame” in “Spider-Man: Far From Home,” and so does the Marvel Cinematic Universe in general, but by the end of this latest saga, both seem ready to face any future challenges.
In a year that’s only half-done, audience members would be forgiven for having superhero fatigue after “Captain Marvel,” “Shazam!” and “Avengers: Endgame.” (It’s almost welcome news that we aren’t getting the next McU movie until 2020.) But with a focus on character-based comedy, coming-of-age anxieties, and super-battles that exist in very specific geographical locations, returning writers Chris McKenna and Erik Sommers and director Jon Watts have carved out a space for Spider-Man that feels uniquely breezy and charming while still fitting the larger structure of the Marvel movies.
The film opens with a hilariously earnest piece of exposition — a high-school TV station’s “in memoriam” montage for Tony Stark and others...
In a year that’s only half-done, audience members would be forgiven for having superhero fatigue after “Captain Marvel,” “Shazam!” and “Avengers: Endgame.” (It’s almost welcome news that we aren’t getting the next McU movie until 2020.) But with a focus on character-based comedy, coming-of-age anxieties, and super-battles that exist in very specific geographical locations, returning writers Chris McKenna and Erik Sommers and director Jon Watts have carved out a space for Spider-Man that feels uniquely breezy and charming while still fitting the larger structure of the Marvel movies.
The film opens with a hilariously earnest piece of exposition — a high-school TV station’s “in memoriam” montage for Tony Stark and others...
- 6/27/2019
- by Alonso Duralde
- The Wrap
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