Limbs, teeth and live octopuses all come in for unblinkingly brutal treatment in Park Chan-wook’s stunning revenge epic
Sixteen years ago, Park Chan-wook gave us this gobsmackingly horrible but demonically inspired thriller, based on the Japanese manga by Nobuaki Minegishi and Garon Tsuchiya, which came to epitomise the “Asia extreme” genre: a new frontier of extravagantly violent craziness. Since then, Park has advanced creatively by retreating into more conventional forms, most prominently with his masterly The Handmaiden. Nonetheless, Oldboy – now on re-release – remains a classic of the macabre that revived the spirit of Jacobean theatre for 21st-century cinema, and the centrepiece of Park’s “revenge trilogy”, alongside Sympathy for Mr Vengeance (2002) and Lady Vengeance (2005).
The film has consolidated its cult status, more or less undamaged by Spike Lee’s baffling English-language version in 2013, starring Josh Brolin. Choi Min-sik plays Dae-su, a boorish, drunken guy who one night discovers that...
Sixteen years ago, Park Chan-wook gave us this gobsmackingly horrible but demonically inspired thriller, based on the Japanese manga by Nobuaki Minegishi and Garon Tsuchiya, which came to epitomise the “Asia extreme” genre: a new frontier of extravagantly violent craziness. Since then, Park has advanced creatively by retreating into more conventional forms, most prominently with his masterly The Handmaiden. Nonetheless, Oldboy – now on re-release – remains a classic of the macabre that revived the spirit of Jacobean theatre for 21st-century cinema, and the centrepiece of Park’s “revenge trilogy”, alongside Sympathy for Mr Vengeance (2002) and Lady Vengeance (2005).
The film has consolidated its cult status, more or less undamaged by Spike Lee’s baffling English-language version in 2013, starring Josh Brolin. Choi Min-sik plays Dae-su, a boorish, drunken guy who one night discovers that...
- 8/2/2019
- by Peter Bradshaw
- The Guardian - Film News
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