Screen Australia, Australia’s federal film and TV funding body, has made sufficient progress in furthering gender equality that it has set more ambitious targets.
The organization has exceeded its long-term Gender Matters key performance indicator, with 56% of projects receiving production funding having at least half of the key creative roles occupied by women, based on a three-year average. The Kpi was set in December 2015, and originally aimed for 50%. The Kpi considered the key creative roles of writer, director, producer, and in the case of narrative content (drama), the protagonist.
The new target is to have 50% of the key creatives across all projects that receive Screen Australia development and production funding to be women, measured across a three-year-average. For the new Kpi, the key creatives are directors, writers and producers and the tracking period is 2019/20 to 2021/22. From August 2020, the agency will also publish the headcount breakdown of key creative roles for feature drama,...
The organization has exceeded its long-term Gender Matters key performance indicator, with 56% of projects receiving production funding having at least half of the key creative roles occupied by women, based on a three-year average. The Kpi was set in December 2015, and originally aimed for 50%. The Kpi considered the key creative roles of writer, director, producer, and in the case of narrative content (drama), the protagonist.
The new target is to have 50% of the key creatives across all projects that receive Screen Australia development and production funding to be women, measured across a three-year-average. For the new Kpi, the key creatives are directors, writers and producers and the tracking period is 2019/20 to 2021/22. From August 2020, the agency will also publish the headcount breakdown of key creative roles for feature drama,...
- 8/20/2019
- by Patrick Frater
- Variety Film + TV
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