It’s a pretty safe bet that the Italian entries at Venice that will make the biggest splashes this year are both TV series premiering in the official selection: Paolo Sorrentino’s limited series “The New Pope” and Stefano Sollima’s cocaine-trafficking drama “ZeroZeroZero.”
While these are both shows by directors who also work in film, Venice artistic director Alberto Barbera has no qualms in pointing out that in the film sphere the domestic pickings were slim this year.
Venice selectors received 186 Italian films, which amounts to roughly 10% of the total submissions. “And more than half were unwatchable microbudget first works,” Barbera says. “You wonder: why produce this stuff?”
However, the TV series, both commissioned by Sky Italia and screening out of competition, are on a different level. “They were both a big gamble,” Barbera says. And they cost a lot, “but you really see the results.”
Barbera says everyone...
While these are both shows by directors who also work in film, Venice artistic director Alberto Barbera has no qualms in pointing out that in the film sphere the domestic pickings were slim this year.
Venice selectors received 186 Italian films, which amounts to roughly 10% of the total submissions. “And more than half were unwatchable microbudget first works,” Barbera says. “You wonder: why produce this stuff?”
However, the TV series, both commissioned by Sky Italia and screening out of competition, are on a different level. “They were both a big gamble,” Barbera says. And they cost a lot, “but you really see the results.”
Barbera says everyone...
- 8/27/2019
- by Nick Vivarelli
- Variety Film + TV
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