When Agnès Varda died in March at the age of 90, Jean-Luc Godard sent a sympathy gift to her daughter. That small gesture should resonate for anyone who saw “Faces/Places,” Varda’s Oscar-nominated penultimate feature, which culminated at Godard’s doorstep. Varda’s good-natured attempt to introduce the fellow French New Wave filmmaker to her new friend and co-director Jr is a bittersweet moment, because the reclusive Godard stands them up. Godard was a close acquaintance of Varda before he receded to the shadows, but his absence in “Faces/Places” didn’t tell the whole story.
“He sent me a kind of photo collage of Agnés,” said Rosalie Varda, who produced “Faces/Places.” “It was something special. It’s a secret. But he sent me something nice. I think he cared for Agnès a lot. He saw all her films.”
It’s only fitting that a plot point from Varda...
“He sent me a kind of photo collage of Agnés,” said Rosalie Varda, who produced “Faces/Places.” “It was something special. It’s a secret. But he sent me something nice. I think he cared for Agnès a lot. He saw all her films.”
It’s only fitting that a plot point from Varda...
- 9/5/2019
- by Eric Kohn
- Indiewire
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