Although we were inundated with hockey masks, knives, and axes in the early ‘80s, there were some horror filmmakers looking to do something against the grain; people like Sam Raimi conjuring undead demons in The Evil Dead (1981), or in the case of Douglas McKeown’s The Deadly Spawn (1983), giddily updating Monsters from Space to include voracious face ripping and gallons of the red stuff.
Upon release in April, Vincent Canby of the New York Times called The Deadly Spawn an “amateurish, resolutely unscary, low-budget horror film”, and while points one and three are objective statements, the middle depends on the viewer; if one has a fear of flesh-eating, three-headed, multi-fanged space visitors, this will do the trick.
Amateurish and low-budget go hand in hand; made for a little under $20,000 and filmed on weekends over the course of a year, The Deadly Spawn falters in some regards where others of its ilk normally do.
Upon release in April, Vincent Canby of the New York Times called The Deadly Spawn an “amateurish, resolutely unscary, low-budget horror film”, and while points one and three are objective statements, the middle depends on the viewer; if one has a fear of flesh-eating, three-headed, multi-fanged space visitors, this will do the trick.
Amateurish and low-budget go hand in hand; made for a little under $20,000 and filmed on weekends over the course of a year, The Deadly Spawn falters in some regards where others of its ilk normally do.
- 9/7/2019
- by Scott Drebit
- DailyDead
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