Netflix’s BoJack Horseman has been one of the best shows on television since it debuted in 2014. It is a hilarious satire of celebrity and show business, while also being a profoundly sad portrait of depression, loneliness and substance abuse. Virtually the only complaint I’ve ever heard from anyone who’s watched more than the first few episodes is that its visual style is intentionally primitive, bordering on ugly. (And even that allows for elaborate background gags and bizarrely compelling designs of the show’s many animal/human hybrid characters.
- 9/16/2019
- by Alan Sepinwall
- Rollingstone.com
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