Blake Edwards. Courtesy of Paramount.“[Blake] Edwards has become a stylistic influence in the cinema,” Andrew Sarris would write of the filmmaker in 1968, “And his personality and script dominate Ralph Nelson’s Soldier in the Rain the way Lubitsch’s personality once dominated Cukor’s One Hour With You.” Sarris would dub himself an “Edwardian”in his support of the film director and the inclusion of Edwards in his foundational book, The American Cinema: Directors and Directions 1929–1968, still remains the most serious scholarship on him. Edwards’ distinction in the book included him in “The Far Side of Paradise,” the category that “falls short of Pantheon,” the highest distinction. Edwards would be categorized alongside the likes of Capra, Cukor, Minnelli, Preminger, and Fuller—strong company, but characterized as such for Sarris because there is fragmentation or disruption within their careers. This high distinction by Sarris would have the great film critic come...
- 10/18/2019
- MUBI
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