Review by Stephen Tronicek
Steven Soderbergh’s The Laundromat makes a damning case for why the filmmaker is starting to become outdated. Slick, cool, and progressive in 1989, Soderbergh broke onto the scene with sex, lies and a videotape. That film is a fantastic work, one that stood out with a risque but honest view of sexuality. Nowadays, it’s still effective but the veneer of that honesty has worn slightly thin. Maybe part of Soderbergh is stuck in 1989.
Now, of course we can’t just blame him. The Laundromat, written by Scott Z. Burns (responsible for a few good Soderbergh movies and this year’s The Report) is ill conceived from the get go. Following a mystery that never gets solved, Meryl Streep does her best to give life to Ellen Martin, a woman whose husband died on a cruise boat. The aftermath lead her to an offshore scheme that...
Steven Soderbergh’s The Laundromat makes a damning case for why the filmmaker is starting to become outdated. Slick, cool, and progressive in 1989, Soderbergh broke onto the scene with sex, lies and a videotape. That film is a fantastic work, one that stood out with a risque but honest view of sexuality. Nowadays, it’s still effective but the veneer of that honesty has worn slightly thin. Maybe part of Soderbergh is stuck in 1989.
Now, of course we can’t just blame him. The Laundromat, written by Scott Z. Burns (responsible for a few good Soderbergh movies and this year’s The Report) is ill conceived from the get go. Following a mystery that never gets solved, Meryl Streep does her best to give life to Ellen Martin, a woman whose husband died on a cruise boat. The aftermath lead her to an offshore scheme that...
- 10/20/2019
- by Movie Geeks
- WeAreMovieGeeks.com
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