Korean cinema has made some impactful inroads into the mainstream moviegoers’ recognition on the courtesy of directors like Park Chan-Wook, Bong Joon-ho or Jeong Byeong-Gil and provided plenty of thrills with quality genre cinema, including horrors (e.g. “Train to Busan” or “Wailing”), period dramas (“Taxi Driver”) and futuristic blockbusters. But it is not always big and loud. The poetic metaphors of Kim Ki Duk have touched plenty of cinephiles. However, in film festivals’ lineups, one may find lovely nook of unpretentious indies. Jeong Seung-o’s “Move The Grave” (“I-Jang”), premiered at New York Asian Film Festival and now screened at 1-2 competition section of the 35. Warsaw Film Festival, falls into that last category.
“Move the Grave” screened at the 35. Warsaw Film Festival
Described not quite accurately as a “road movie”, it is an ironic family drama, revolving around a kind of uncanny family reunion. Hye-yeong (Jang Li-woo), a single...
“Move the Grave” screened at the 35. Warsaw Film Festival
Described not quite accurately as a “road movie”, it is an ironic family drama, revolving around a kind of uncanny family reunion. Hye-yeong (Jang Li-woo), a single...
- 10/21/2019
- by Joanna Kończak
- AsianMoviePulse
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