After a rocky few years, cinema from the Philippines is once again bristling with energy and innovation. International interest is rising, and the Tokyo International Film Festival’s 2019 selection reflects some of that. The recent launch of two incentive schemes by the Philippines government may help the country’s production become more international.
The Tokyo festival this year includes a total of eight films and TV episodes from the Philippines across its different sections: “Mananita” in the main competition section; Brillante Mendoza’s “Mindanao” and Erik Matti’s erotic drama “Food Lore Series—Island of Dreams,” in the World Focus section; and Bradley Liew’s “Motel Acacia” in the Asian Focus category.
Philippines films also dominate Tokyo’s Crosscut Asia sidebar, which this year focuses on Southeast Asian fantasy and genre titles: Lav Diaz’ “The Halt,” Antoinette Jadaone’s “Six Degrees of Separation from Lilia Cuntapay,” Matti’s “The Entity...
The Tokyo festival this year includes a total of eight films and TV episodes from the Philippines across its different sections: “Mananita” in the main competition section; Brillante Mendoza’s “Mindanao” and Erik Matti’s erotic drama “Food Lore Series—Island of Dreams,” in the World Focus section; and Bradley Liew’s “Motel Acacia” in the Asian Focus category.
Philippines films also dominate Tokyo’s Crosscut Asia sidebar, which this year focuses on Southeast Asian fantasy and genre titles: Lav Diaz’ “The Halt,” Antoinette Jadaone’s “Six Degrees of Separation from Lilia Cuntapay,” Matti’s “The Entity...
- 10/28/2019
- by Patrick Frater
- Variety Film + TV
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