I’ve spent the last 39 years trying to love, or even like, Stanley Kubrick’s 1980 film version of Stephen King’s The Shining, but my perhaps heretical confession must be that I haven’t had much success. I don’t, as King himself does, have issues with the fact that the movie differs in significant ways from the novel—they are, after all, two different entities produced from the minds of two very different artists. But the movie has always felt like an intellectual exercise undertaken by someone who isn’t engaged by the genre he’s chosen to play with, the product of a director who is profoundly bored and needs to create an elaborate landscape of puzzles and design to distract from his fundamental disinterest. I think the movie’s deliberateness masks a certain listlessness as Kubrick pokes around the edges of the story; what registers as a...
- 11/11/2019
- by Dennis Cozzalio
- Trailers from Hell
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