Steeped in auto-fiction, crisscrossing between memoir and artifice until the distinction hardly matters, much of Noah Baumbach’s cinema responds to an urge to heal. His 1995 debut feature Kicking and Screaming chronicled a father’s struggle to overcome a post-college days spleen; the 2005 The Squid and the Whale a son surviving his parents’ divorce; Margot at the Wedding (2007) and The Meyerowitz Stories (New and Selected) (2017) focus on dysfunctional families fighting and exorcising feuds and traumas, a theme that’s also traversed many a collaboration between Baumbach and Greta Gerwig—surfacing perhaps most evidently in the 2015 Mistress America. Another study of broken families, Marriage Story feels like treading into familiar turf. Chronologically, it’s a follow-up to The Meyerowitz Stories; thematically, it harkens back to the portrait of a couple’s collapse dissected in The Squid and the Whale—this time told not from a child’s perspective, but from the parents’ own.
- 11/11/2019
- MUBI
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