In mid-2013, violent anti-lgbt demonstrations erupted in Georgia, the fledgling democracy in the South Caucasus which only five years prior had successfully recovered from an aggressive Russian invasion. Roughly 20,000 counter protestors had gathered in the capital of Tblisi to target some 50 Lgbt activists marching for gay rights. Watching the violence unfold from his home in Sweden, gay filmmaker Levan Akin felt ashamed that his country of origin, where he spent summers in his youth, would display its homophobia so violently.
The revelation inspired him to set his third feature film in Tblisi, and envision it as a tour-de-force coming-of-age drama about a traditional Georgian dancer coming to terms with his sexuality. Six years later, “And Then We Danced,” which is Sweden’s official submission for Best International Feature, is reigniting anti-gay sentiment in Georgia.
Queer films have enjoyed significant mainstream success and critical acclaim in Hollywood in recent years, with the consecutive trifecta of “Carol,...
The revelation inspired him to set his third feature film in Tblisi, and envision it as a tour-de-force coming-of-age drama about a traditional Georgian dancer coming to terms with his sexuality. Six years later, “And Then We Danced,” which is Sweden’s official submission for Best International Feature, is reigniting anti-gay sentiment in Georgia.
Queer films have enjoyed significant mainstream success and critical acclaim in Hollywood in recent years, with the consecutive trifecta of “Carol,...
- 11/15/2019
- by Jude Dry
- Indiewire
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