As the amount of premium content continues to steadily grow across the small screen, so too does the demand for casting directors to fill new roles with the best performers, be they big names or fresh faces. But because of the high volume of series in production at the same time, tying up actors’ availability, this often requires extra collaboration, especially when casting SAG Award contending ensemble series.
“Casting is like triage. You have so many characters; you’re fielding so many things at the same time,” says veteran casting director Alexa Fogel. She has dedicated herself to the art of ensemble casting from the days of “Oz” and “The Wire” and has more recently been responsible for building the worlds of Netflix’s “Ozark” and “The Politician” and FX’s “Pose.”
For such a show as “Pose” or even “The L Word: Generation Q,” the continuation of the beloved “L Word” series for Showtime,...
“Casting is like triage. You have so many characters; you’re fielding so many things at the same time,” says veteran casting director Alexa Fogel. She has dedicated herself to the art of ensemble casting from the days of “Oz” and “The Wire” and has more recently been responsible for building the worlds of Netflix’s “Ozark” and “The Politician” and FX’s “Pose.”
For such a show as “Pose” or even “The L Word: Generation Q,” the continuation of the beloved “L Word” series for Showtime,...
- 12/4/2019
- by Danielle Turchiano
- Variety Film + TV
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