Despite the existential anxiety surrounding the future of the theatrical experience, 2019 kept buyers busy. While Amazon’s big paychecks for “Late Night” and “Brittany Runs a Marathon” out of Sundnace didn’t exactly yield commercial hits, they started the year off with evidence of an active buyers market dominated by unpredictability — and plenty of more promising results. Sundance also found A24 nabbing “The Farewell” and Neon taking Grand Prize-winner “Clemency”; the company also picked up “Portrait of a Lady on Fire” out of Cannes following a fierce bidding war. At Tiff, HBO flexed some muscle with a shocking $20 million deal for TV-only rights to the Hugh Jackman cheating scandal saga “Bad Education.”
Whatever next year brings — new streaming platforms with their own eager acquisition teams, and stalwarts eager to remind the world they still exist — it’s clear that plenty of entities remain invested in the fight to get good...
Whatever next year brings — new streaming platforms with their own eager acquisition teams, and stalwarts eager to remind the world they still exist — it’s clear that plenty of entities remain invested in the fight to get good...
- 12/6/2019
- by Eric Kohn, Kate Erbland and Jude Dry
- Indiewire
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