The painful disintegration of a couple who have been together for 15 years plays out in Ferzan Ozpetek’s La dea Fortuna (literally, "The Goddess Fortune"), a breakup complicated by their sick friend Annamaria, who parks her two kids with them while she’s in the hospital. After his poetic-exotic excursions in Red Istanbul and Naples in Veils, the director returns to the familiar ironies of gay dramedy that found a broad Italian audience for two of his most popular works, Le fate ignoranti (in which a young widow discovers her dead husband was bisexual) and Loose Cannons (a youth has to ...
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