Throughout a series of health challenges in the last years of his life, Waylon Jennings retained the same outlaw spirit that he first brought to Nashville in the early Sixties, when RCA producer Chet Atkins signed him to the label. Although Atkins wanted Jennings to be himself, the veteran producer-guitarist was also used to functioning within the Music Row studio system that was, as Jennings noted in his autobiography, “working more for efficiency than emotion.” What Jennings wanted, and eventually achieved, was creative control over doing his music his way.
- 1/10/2020
- by Stephen L. Betts
- Rollingstone.com
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