“On the Record,” a documentary that presents the former music executive Drew Dixon’s accusations of sexual harassment and rape against the hip-hop mogul Russell Simmons (it includes several other Simmons accusers as well), is the fourth major documentary of the #MeToo era to offer an incendiary indictment of men who have used their power within the entertainment industry to commit and cover up patterns of abusive behavior. Like “Leaving Neverland” and “Untouchable,” the documentaries about Michael Jackson and Harvey Weinstein that premiered at last year’s Sundance Film Festival, and like the seismic Lifetime series “Surviving R. Kelly,” “On the Record” presents a searing, at times shocking exposé of alleged criminal acts. Yet here, as in those earlier chronicles, what’s extraordinary is the disturbingly intimate communion the film creates between the audience and the survivors.
Even before premiering at Sundance, “On the Record” had come to occupy the center of its own drama,...
Even before premiering at Sundance, “On the Record” had come to occupy the center of its own drama,...
- 1/26/2020
- by Owen Gleiberman
- Variety Film + TV
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