Confirms Germany’s growing reputation as an international VFX hub.
Germany looks to set become an even more attractive destination for handling VFX-laden projects after Matthew Vaughn’s prequel The King’s Man received over €1m ($1.1m) in funding from two German funds towards financing the visual effects being handled by leading German VFX studio Rise.
The project was awarded a grant of around €700,000 from the German Federal Film Fund (Dfff II) and another €300,000 by the international feature film and series programme administered by the Bavarian regional fund Fff Bayern.
This equated to 45% of the film’s VFX budget and is...
Germany looks to set become an even more attractive destination for handling VFX-laden projects after Matthew Vaughn’s prequel The King’s Man received over €1m ($1.1m) in funding from two German funds towards financing the visual effects being handled by leading German VFX studio Rise.
The project was awarded a grant of around €700,000 from the German Federal Film Fund (Dfff II) and another €300,000 by the international feature film and series programme administered by the Bavarian regional fund Fff Bayern.
This equated to 45% of the film’s VFX budget and is...
- 1/30/2020
- by 158¦Martin Blaney¦40¦
- ScreenDaily
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