The fertile fantasy of writer-director-composer Sally Potter, memorably on display in her adaptation of Virginia Woolf’s multi-lives tale Orlando, comes disappointingly close to straight family drama in The Roads Not Taken, in which a working daughter spends a difficult day caring for her senile father.
Almost a mirror image of Wayne Wang’s recent Coming Home Again, it lacks the refined delicacy of the Korean-American tale about a mother dying of cancer and her grown son who puts his life on hold to care for her. Instead, it traces Leo’s mental voyage back to key moments his life, suggesting ...
Almost a mirror image of Wayne Wang’s recent Coming Home Again, it lacks the refined delicacy of the Korean-American tale about a mother dying of cancer and her grown son who puts his life on hold to care for her. Instead, it traces Leo’s mental voyage back to key moments his life, suggesting ...
- 2/26/2020
- The Hollywood Reporter - Film + TV
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