At the risk of being canceled, I’ll admit that in the days since I watched The Salt of Tears, I’ve found myself wondering, “Who will make films like this when Philippe Garrel is gone?” (The best answer I’ve heard so far: Louis Garrel.) By “this” I mean a stereotypically oh-so-French comedy with an existential bent. Or a season in the life of a dour-faced, impoverished young artist who beds every beautiful woman he meets and is too young and too myopic to realize he’s a gaping asshole. Or the story of a boy who loved, disappointed and mourns for his […]...
- 2/27/2020
- by Darren Hughes
- Filmmaker Magazine-Director Interviews
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