The French star’s fearless performances – and work ethic – are the stuff of legend. In her dressing room, she talks about the pain of theatre, acting in English and #MeToo
In 2005, days before my 17th birthday, I saw Isabelle Huppert in Ibsen’s Hedda Gabler at the Odéon theatre in Paris. It felt like being let in on a secret: I lived in a small town, and Huppert stood for the artistic life I imagined was available only to Parisians. Not only was she the first A-list actor I’d ever seen on stage, but she was the most fearless woman I could remember. In a diary entry at the time, I described her – admiringly – as “witch-like”.
Fifteen years later, back at the Odéon, she is equally imposing, one-on-one. We met on a grey February morning, before the coronavirus crisis shut down the venue and closed the French capital. Huppert...
In 2005, days before my 17th birthday, I saw Isabelle Huppert in Ibsen’s Hedda Gabler at the Odéon theatre in Paris. It felt like being let in on a secret: I lived in a small town, and Huppert stood for the artistic life I imagined was available only to Parisians. Not only was she the first A-list actor I’d ever seen on stage, but she was the most fearless woman I could remember. In a diary entry at the time, I described her – admiringly – as “witch-like”.
Fifteen years later, back at the Odéon, she is equally imposing, one-on-one. We met on a grey February morning, before the coronavirus crisis shut down the venue and closed the French capital. Huppert...
- 3/24/2020
- by Laura Cappelle
- The Guardian - Film News
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