Arguably among the most beautiful works of cinema, Sergei Parajanov’s “The Colour of Pomegranates” has been called a work of lasting artistry, offering breathtaking imagery while also giving what might just be the most accurate account of the poet’s mind. In this case, the poet in question is Sayat-Nova, an Armenian poet and troubadour, whose life and work is the foundation for Parajanov’s film which was originally titled after the poet himself. However, when the Soviet censors laid eyes on the finished film, the argued Parajanov’s movie does not give a portrayal of the poet, nothing about his fame and importance for literature or indeed for the country, a dispute which eventually resulted in the censors re-naming the film “The Colour of Pomegranates” and the removal of all references to Sayat-Nova in the film.
Considering it does not follow a traditional, linear narrative,...
Considering it does not follow a traditional, linear narrative,...
- 3/30/2020
- by Rouven Linnarz
- AsianMoviePulse
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