Barry Jenkins and Adele Romanski know more than most about getting difficult stories to large audiences. Jenkins’ “Moonlight,” which he and Romanski produced through their production company Pastel, came together on a $1.5 million budget and ultimately grossed over $65 million in addition to winning Best Picture. Since then, the company — co-founded by Sara Murphy and Mark Ceryak — has supported a handful of other filmmakers, including Aaron Katz’s L.A. neo-noir “Gemini.” Their most recent credit comes out this week on VOD, but it wasn’t supposed to work out that way.
Eliza Hittman’s “Never Rarely Sometimes Always” won prizes in Sundance and Berlin before Focus Features released it in early March — days before theaters closed nationwide. The Universal subsidiary is now following a strategy it applied to movies like “The Invisible Man” and “The Hunt” by pushing “Never Rarely” into VOD on Friday.
More from IndieWireFocus Features Sends 'Never...
Eliza Hittman’s “Never Rarely Sometimes Always” won prizes in Sundance and Berlin before Focus Features released it in early March — days before theaters closed nationwide. The Universal subsidiary is now following a strategy it applied to movies like “The Invisible Man” and “The Hunt” by pushing “Never Rarely” into VOD on Friday.
More from IndieWireFocus Features Sends 'Never...
- 4/1/2020
- by Eric Kohn
- Indiewire
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