Save Me Too isn’t an ordinary TV thriller. It has all the ingredients – crimes, victims, mysteries, tension, cliff-hangers – but shows them from a peculiarly human perspective. Instead of clustering the action around a police station with occasional visits to a victim or suspect’s house, it inverts that ratio and plays out on the streets and inside homes. Its police are largely absent, a peripheral presence at most. We never sit in on a daily investigation briefing or glimpse an evidence board.
It can be destabilising. The deliberate avoidance of procedural elements in favour of something looser, more vital and more emotional, leaves viewers without familiar bearings. Plot points can be tricky to pin down. Questions can go unanswered. Characters pulse in and out of play, their stories not always tightly connected to the main plot. But in the end, none of that matters. What matters are the characters,...
It can be destabilising. The deliberate avoidance of procedural elements in favour of something looser, more vital and more emotional, leaves viewers without familiar bearings. Plot points can be tricky to pin down. Questions can go unanswered. Characters pulse in and out of play, their stories not always tightly connected to the main plot. But in the end, none of that matters. What matters are the characters,...
- 4/1/2020
- by Louisa Mellor
- Den of Geek
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