People risk all kinds of things to make movies — money, reputations, sometimes even their health. But in “The Infiltrators,” it feels as if the crew we see on-screen is putting their lives on the line for a cause they believe in, and that the movie is just a byproduct, as opposed to the principal mission.
In that way, it’s like “The Cove,” the remarkable dolphin-saving doc in which marine-life activists sneaked into a secluded Japanese killing field like soldiers on a special-ops mission. “The Infiltrators” also documents a courageous undercover operation, this one involving Dreamers who turn themselves over to Border Patrol officers in order to assist their fellow undocumented immigrants from inside a federal detention center — except, in this case, directors Cristina Ibarra and Alex Rivera rely on a mix of talking heads and reenactment footage to dramatize a mission for which principal coverage was limited to a few audio recordings.
In that way, it’s like “The Cove,” the remarkable dolphin-saving doc in which marine-life activists sneaked into a secluded Japanese killing field like soldiers on a special-ops mission. “The Infiltrators” also documents a courageous undercover operation, this one involving Dreamers who turn themselves over to Border Patrol officers in order to assist their fellow undocumented immigrants from inside a federal detention center — except, in this case, directors Cristina Ibarra and Alex Rivera rely on a mix of talking heads and reenactment footage to dramatize a mission for which principal coverage was limited to a few audio recordings.
- 5/2/2020
- by Peter Debruge
- Variety Film + TV
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