After many false starts, we are now in the thick of a fascinating black film movement, which has not only boosted legendary filmmakers like Spike Lee but also carved spaces for newer storytellers like Dee Rees and Barry Jenkins to bring forth stories that are personal to them but can also touch wide audiences. Such is also the case for British writer-director Andrew Onwubolu, aka Rapman, who has delivered a portrait of his youth in a street-gang-riddled London with the singular drama “Blue Story,” which is available digitally on May 5.
But is “Blue Story” too outside the box to connect with audiences? The short answer is not really. We’re saturated with so much content these days that a narrative needs to stand out in order to get recognized above the fray. There’s also an abundance of black films with villainous gangs, so the question “Blue Story” has to...
But is “Blue Story” too outside the box to connect with audiences? The short answer is not really. We’re saturated with so much content these days that a narrative needs to stand out in order to get recognized above the fray. There’s also an abundance of black films with villainous gangs, so the question “Blue Story” has to...
- 5/4/2020
- by Candice Frederick
- The Wrap
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