Natasha Gregson Wagner says a poignant thing about her movie star mother, and her all-too tragic death, at the beginning of Laurent Bouzereau’s Natalie Wood: What Remains Behind. “Since then there’s been so much speculation on how she died that it’s overshadowed her life’s work and who she was as a person.” It’s a brief but sudden flash into the perspective of living with a lifelong media whirlwind of speculation and insinuation. It also is clearly Gregson Wagner’s pained personal truth.
Yet what’s both interesting and ultimately frustrating about Bouzereau’s new documentary, which just premiered on HBO, is that it seems to immediately concede this point by framing its narrative as being more concerned with how she died—and how that death has been manipulated by the press—than with how she lived. And as someone who grew up on Natalie Wood’s movies and total legacy,...
Yet what’s both interesting and ultimately frustrating about Bouzereau’s new documentary, which just premiered on HBO, is that it seems to immediately concede this point by framing its narrative as being more concerned with how she died—and how that death has been manipulated by the press—than with how she lived. And as someone who grew up on Natalie Wood’s movies and total legacy,...
- 5/5/2020
- by David Crow
- Den of Geek
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