Albert Banzon is a Filipino, multi-awarded cinematographer. After graduating from college, he took a series of workshops from the Mowelfund Film Institute. From there, he met Bahag-Hari, an Mfi Alumni cinematographer, who hired him as a gaffer to work for Lav Diaz, in essence starting his career. Currently, he has more than 115 credits to his name, having cooperated with directors like Timmy Harn, Shireen Seno and Adolfo Alix Jr, although his most frequent collaborator is Khavn.
On the occasion of our #TheKhavnProject, we speak with him about his career, the differences between working for TV and movies, the changes the industry has undergone and of course, Khavn.
You have been working in film since 2000. Which were the most significant changes you have witnessed in Filipino cinema and which on the field of cinematography?
The most significant change I saw was the transition to digital filmmaking. It changed everything.
There are...
On the occasion of our #TheKhavnProject, we speak with him about his career, the differences between working for TV and movies, the changes the industry has undergone and of course, Khavn.
You have been working in film since 2000. Which were the most significant changes you have witnessed in Filipino cinema and which on the field of cinematography?
The most significant change I saw was the transition to digital filmmaking. It changed everything.
There are...
- 5/13/2020
- by Panos Kotzathanasis
- AsianMoviePulse
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