As festivals continue to cancel and studios retreat on release dates, the movie industry is resolutely pursuing what it acknowledges to be a perilous scenario. “Even Hollywood needs love now and then,” Samuel Goldwyn once proclaimed, but instead it faces stubborn exhibitors like AMC and Cineworld, who hammer studios for breaking the 90-day window. It also confronts streamers led by Netflix churning out content at a rate that would make Louis B. Mayer cower. And it faces binge-bonded TV audiences who may never again leave their couches, even if it means surrendering to cinematic malfeasance like Ryan Murphy’s Hollywood (more on that later).
Instead of love, the one certitude filmmakers can rely on this year is a new set of Academy rules permitting eligibility for films that debut on a streaming service or an on-demand platform. To be sure, flickers of optimism always reside with those films that no...
Instead of love, the one certitude filmmakers can rely on this year is a new set of Academy rules permitting eligibility for films that debut on a streaming service or an on-demand platform. To be sure, flickers of optimism always reside with those films that no...
- 5/14/2020
- by Peter Bart
- Deadline Film + TV
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